THE COOKERY 11.04—14.04. 2024

ON THE RELEVANCE OF FABLABS _ 1.04 15:00-18:00 What are the lessons to be learnt from 30 years of fablabs – 12 in the case

Ernesto Oroza @ ENSAD Limoges_2024

Dates and times: 19.03.24 Conference from 18:00 p.m. to 19:30 p.m. Location Ensad Limoges Jean-Jacques Prolongeau Amphitheater

wild tech dans le sud global

Désobéissance technologique, design et société en temps de crise économique, écologique et politique » Venez échanger

Place Pollinations: People, Culture, and Preservation @ PRATT

Place Pollinations: People, Culture, and Preservation, join the dialogue on zoom, 19th January! RSVP Link in bio.This panel fe

Poética de la necesidad – Ernesto Oroza para Coloquio de An-Arqueología de los Medios

Esta charla versa sobre la investigación en diseño, y su pedagogía, cuando peor están las cosas

Repairability as a Condition of the World: Ernesto Oroza’s Archive of Dis/repair – By Lucy Benjamin

Theory, Culture & Society Benjamin, L. (2023). Repairability as a Condition of the World: Ernesto Oroza’s Archive of Dis

Rikimbili as prop

Sheet printed in gradients from red to blue, transiting through yellow. This sheet (25 “x18.5”) is produced in gov

Mesa de Diseño y Tecnología: La filosofía del rotto

Protected: On documentation of research @ ENSAD_Nov-2023

There is no excerpt because this is a protected post.

Efficiency (after Papanek) at Alibi presents Julio Llópiz-Casal

We are pleased, in this fifth iteration of Efficiency (after Papanek), to present the works of the artist and designer Julio L

Poética de la necesidad: Reparación, reúso, repentismo.

Esta charla versa sobre la investigación en diseño, y su pedagogía, cuando peor están las cosas.

Marginalized Futures Panel

Rikimbili as anagram

download pdf here: rikimbili-as-anagram “To understand that new needs demand the emergence of new productive protocols,

Factographie des brocantes à Cognac @ Almanach – Fondation d’Entreprise Martell

Factographie des brocantes à Cognac Notes on a research residency at the Martell Foundation, as part of the exhibition Alman

Résidence – Fondation d’Entreprise Martell – 2023

Ernesto Oroza est le premier invité des résidences Almanach. Artiste, designer et chercheur cubain, il s’intéresse notamm

Blender garment pattern: Fin, pero no es el fin

Blender garment pattern: Fin pero no es el fin Digital printing on polyester. Pattern ready to cut and sew. Telarte patterns b

Blender garment pattern: Los De Arriba y Los De Abajo

Blender garment pattern: Los De Arriba y Los De Abajo Digital printing on polyester. Pattern ready to cut and sew. Telarte pat

“It was Always About You…” @ Oolite Arts

Oolite Arts’ “It was Always About You…” is an intimate celebration of a community of artists who have had a signif

Techno-disobedience @ Constant – Brussels 2023

Technological disobedience talk at Techno-disobedience worksession Organized by Imane Benyecif and Martino Morandi, among othe

Arquitectura comodín

Arquitectura de la necesidad – rikimbiligao Esta charla versa sobre la potencialidad política de la arquitectura comod

100 artistes & designers se mobilisent pour l’ésad Valenciennes

100 artistes & designers se mobilisent pour l’ésad Valenciennes, à travers une exposition-évènement du 5 au 20 janvi

Repair as rupture lll

Reparación como ruptura III :-), 2022   (scroll down for english version) Una funda de batidora es una tipología contempo

RENCONTRE AVEC ERNESTO OROZA @Artagon Marseille

RENCONTRE AVEC ERNESTO OROZA Artiste, designer et chercheur 08/12/2022 – 18h30 Artagon Marseille 13 boulevard Jean Bouin, 13

We will design PLATFORM

CORRECTED CHAIRS Workshop at MAGICAL HACKERISM_Savvy Contemporary, Berlin

  WORKSHOP  08.–09.10.2022 WITH  Ernesto Oroza LANGUAGE English OPEN CALL  The workshop is open to all but has

Critical Jugaad Ontologies – Practices for a Just Future – Deepa Butoliya (p.44)

There is a different tradition in design that we have learned to know through the application of ethnography, anthropology, na

Plaza Instar – Instar @ documenta fifteen

Provisional bench and corrected chairs for Plaza Instar, documenta fifteen, 2022. Seats made to host the program of events org

Rikimbili a provisional epilogue – Instar @ documenta fifteen

This presentation is about Rikimbili, the term used in Cuba, since the 90s, to name the vehicle made when a gas motor is added

Prince Claus Fund Mobile Lab Guest – Instar @ documenta fifteen

Within the revolution, Everything – Instar @ documenta fifteen

Notes on a vector chair

He aquí un ejemplo de la actitud recurrente ante la degradación material de Cuba. Acostumbrados a reparar los objetos del ho

Within the Revolution, Everything @ Shift Space 2.0 – Edited by Natalia Zuluaga

This text discusses three spontaneous computer-based protocols that took shape and became systematized in Cuba over the last t

Towards anarchist design. An interview with Ernesto Oroza and Olivier Peyricot

Emanuel Quinz : Towards anarchist design. An interview with Ernesto Oroza and Olivier RADDAR N°3, 2021 | 2021 politiques

Corrected chairs – A’l interieur de la production – 2021/2022

Dancing with a document. Tactical display (after Andy). À L’INTÉRIEUR DE LA PRODUCTION

This dance class is designed around a propaedeutic object. Visitors, following the instructions they receive on site, will be

A’l interieur de la production – Organized by Ernesto Oroza & Le CyDRe

À L’INTÉRIEUR DE LA PRODUCTION International Design Biennial of Saint-Étienne. April 6th to July 31, 2022 http://lecy

Anyone can design, even designers

Anyone Can Design, Even Designers In Collaboration with: Institut Francais d’Indonesie (IFI), Cité du design Saint-Éti

Common Space

Group exhibition curated by Sally Eaves Hughes (@sallyeaveshughes), which will open @oolitearts 924 gallery on Oct. 20, 2021.

Hialeah Eléctrica – Metavector @ Bass Museum Miami

Rafael Domenech & Ernesto Oroza Hialeah Eléctrica – METAVECTOR Organized by Leilani Lynch JUN 16-OCT 10,2021 Hialeah El

Ruptura II (juntas)

Ruptura II (juntas) is an archive of spare parts manufactured in Cuban houses (specifically, rubber gaskets for pressure cook

Repair as rupture – portable stages

Revolico. Provisional Epilogue III (Rikimbili)

Revolico. Provisional Epilogue III (Rikimbili) “It has nothing to do with a technical renovation of language, but rather of

Repentista Manifesto

Repentista Manifesto (fragments) Ernesto Oroza, 2020 Since this is a moment of irruption, an entrance, I’m going to take adv

Architecture of necessity for Inteligencias Colectivas – CUBA

Archivo Anomico_Inglés PDF

ArchivoAnomico_Ingles_pdf-1  Archivo and Reuse on page 120 More info: https://redcsur.net/2021/01/20/archives-of-the-commons-

Reuse @ AIM Biennial – Miami

You must understand this text as a set of instructions, but the first thing I advise is that you not follow them. Many times,

FAU in Prose

  FAU in Prose ′′ Architectures of Need and Technologies of Disobedience ′′ 30/11/2020 Monday at 17 pm on FAU-Usp you

Visiones sobre el rol social del diseño – Compilado por Mariana Pittaluga -2020

Libro: Visiones sobre el rol social del diseño Compilado por Mariana Pittaluga para Wolkowicz Editores, Argentina, 2020.

We Fight to Build a Free World: An Exhibition by Jonathan Horowitz

I designed a poster for We Fight to Build a Free World: An Exhibition by Jonathan Horowitz  at The Jewish Museum. This exhib

Four Entrances to a Yanira Collado Exhibit. Ernesto Oroza, 2020

Four Entrances to a Yanira Collado Exhibit Ernesto Oroza, 2020 I’m going to begin a poem. The page is blank. Everything—an