Battleship Potemkin
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Notas sobre la silla plástica monobloc (2010-2019)
Las sillas monobloc (y todos los objetos industriales), serán en el futuro “escritores” de su propio blog. Lo que me atre
Personify
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ALTERED STATES OF CONSCIOUSNESS
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La mata (the perennial sprout)
La Mata (the perennial sprout) at Fredric Snitzer Gallery Collaboration with Rafael Domenech March 1 – April 15, 2019 Ra
Marabú y un diseño de interior táctico
more information about the invasive marabou weed: https://www.ernestooroza.com/navidad-en-el-kalahari-notas-sobre-el-continuo-
Cuban Basel
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Ruptura – Factograma 1 en la Alianza Francesa de La Habana – 2018
Ruptura – Factograma IGuiñol de agitación y periódico mural dedicados al tema de la reparación. Archivo de 80 piezas
NO AL MARABÚ MENTAL SI AL MARABÚ MENTAL
Manifiesto reusable
manifiesto reusable reusable aplasta jerarquías sociales y económicas; colapsa ciclos de vida; devora eras tecnológicas;
paradise lost?: alchemy of the everyday
paradise lost?: alchemy of the everyday Cindy Rucker Gallery reception June 16 – July 27 6-9PM curated by William Cordov
Public Display of Professionalism presents:
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Signos 36 – Tomo 00 participa en la #00Bienal de la Habana
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SIGNOS 36 – Tomo 00 en la #00Bienal de La Habana 2018
Signos 36 – Tomo 00 ¨the root works for the fruit it does not see¨ Signos 36 es un concepto de publicación que germi
Solid Abstraction. Disobedience Strategies in Contemporary Cuban Art
Ruptura (photo documentation)
Signos 36
_____ _ ___ ___ | __|_|___ ___ ___ ___ |_ | _| |__ | | . | | . |_ -| |_ | . | |_____|_|_ |
Belief in the Potential Object: Ernesto Oroza on Technological Disobedience in Cuba
https://walkerart.org/magazine/ernesto-oroza-technological-disobedience-cuba
Still Crazy 1977-2017 – Fredric Snitzer Gallery | 40th Anniversary Celebration
Video: IMG_1488
Efficiency at OF/BY/FOR – American Museum of the Cuban Diaspora
Efficiency (after Papanek) press release: Efficiency (after Papanek) is a new exhibition platform based on a schematic princip
Media Under Dystopia 1.0
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Jarras (tactical placeholder)
Tactical display (after Andy) Museo Popular Concreto at Fredric Snitzer Gallery
Museo Popular Concreto at Fredric Snitzer Gallery
Ernesto Oroza Museo Popular Concreto: InformFredric Snitzer GalleryOctober 6 – November 18, 2017Opening Reception: Fri
SIGHT & SOUND 2017
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Archives of the Common II. The Anomic Archive
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Art x Cuba – Contemporary Perspectives since 1989
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CUBA IS
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ON|OF Muestra de video
Free Play
Museum of Contemporary Art Santa Barbara is proud to present Free Play, an exhibition that brings contemporary furniture,
The transparent object – Mmuseumm 2 – 2017
Special Period in Times of Peace was how the Cuban government termed the country’s crisis in 1990. The Soviet demise brough
Let’s start, here (ParaISO) – Villa Vassilieff micro edition 2016
THE TRANSPARENT OBJECT
Ernesto Oroza THE TRANSPARENT OBJECT Cuba, 1995 – 2016 Mmuseumm Opening: Thursday May 11 7pm 4 Courtlandt Alley NYC, NY
Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950
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Tell me the story of all these things. Beginning wherever you wish, tell even us.
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The Monobloc Project
The Monobloc Project an exhibition created by Franck Dujoux and Michel Kowalski Plus d’une trentaine d’œuvres pour ce
12425 NE 13th Ave 4 North Miami Fl 33161
Curated by Rafael Domenech for Under the bridge, Miami, 2016. The exhibition will run from September 18th to October 30th.&nbs
Ernesto Oroza / Pernod Ricard Fellow 2016
Ernesto Oroza / Pernod Ricard Fellow 2016 SEPTEMBER – NOVEMBER 2016
transphysics: istwa, landscapes, paisajes
Curated by William Cordova Nov. 5, 2016 – Jan. 8, 2017 Opening Reception: Friday, Nov. 4, 2016 “we should want … [our] r
2016 ORLANDO MUSEUM OF ART FLORIDA PRIZE IN CONTEMPORARY ART
2016 ORLANDO MUSEUM OF ART FLORIDA PRIZE IN CONTEMPORARY ART May 13 – August 14, 2016 The Florida Prize in Contemporary Art
Archivo Desobediencia Tecnológica
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Nuevos Territorios. Laboratorios de diseño, artesanía y arte en América Latina – Museo Amparo
Silla corregida – corrected chair (2016-present)
It is common today to find in Havana areas plastic patio chairs corrected by their users; I am referring to the chairs known a
2016 ORLANDO MUSEUM OF ART FLORIDA PRIZE IN CONTEMPORARY ART
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MPC vistas 2016
FUTURS NON-CONFORMES curated by Nicolas Maigret on Jeu de Paume’s virtual espace
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Implied Interaction
Implied Interaction: The Role of Participant, Artist and Viewer in selected works from the CINTAS Foundation Fellows Collect
Nomadic lattice
Collaboration with Rafael Domenech. Lattice (celosía): cut and folded drywall/sheetrock – CNC. Nomadic display in Miami
Metameme
Brutal Beauty. Violence and Contemporary Design
Brutal Beauty Violence and Contemporary Design 7 February – 1 May 2016, Marta Herford (Lippold Gallery, 1st floor) Opening: