EL TERCER MUNDO Y LA TERCERA GUERRA MUNDIAL Por Magdiel Aspillaga “Hoy en día un cine perfecto- técnica y artísticamente logrado- es casi siempre un cine reaccionario.” “El arte no va a desaparecer en la nada. Va a desaparecer en el todo.” Julio García Espinosa. Por un cine imperfecto. (primera…
The Miami Rail’s Brian Droitcour features Gean Moreno and Ernesto Oroza: “Street View”. STREET VIEW Brian Droitcour I walked twenty blocks from Wynwood to Downtown Miami before I took a car back along the same route an hour later. At a foot pace, the garages and open lots showed me their…
The Miami Rail‘s Brian Droitcour features Gean Moreno and Ernesto Oroza: “Street View”.
Art in America Performance Beyond Miami’s Parties by Paul David Young 12/06/11
Performance Beyond Miami’s Parties by Paul David Young 12/06/11 Art in America. The tenth edition of Art Basel Miami Beach was supposed to “reflect a shift toward expanded conceptual, performative and temporal gestures,” according to a curatorial statement. But there was little performance at the main fair, nor at the satellite fairs…
Forces of Radical Pragmatism and Pirate Ethics: Brian Kuan Wood on the Work of Gean Moreno and Ernesto Oroza Paletten Nr 1 2011 Download article
see exhibition images here (english version): Farside Gallery. Miami by José Antonio Navarrete / Arte Al Dia International, July 2010 Decoy, the exhibition of works by Gean Moreno and Ernesto Oroza, gathers together objectual constructions whose conformation and referential potential are the result, in each case, of interactions of varying…
Contemporary artist Ernesto Oroza re-presents “Archetype Vizcaya” By Janna Lafferty, Vizcaya Museum & Gardens Examiner April 21st, 2011. http://www.examiner.com There is irony in Ernesto Oroza’s title, “Archetype Vizcaya.” He is less asking his audience to uncover something original and immutable then to point to the many folds of appropriation, redefinition,…
Artist of the Month of October 2010 October Curator: Rene Morales INVISIBLE-EXPORTS The Bridge Downtown interview here The Bridge Downtown Posted on October 10, 2010 by theartistofthemonthclub Selected by Rene Morales, Associate Curator at the Miami Art Museum, October’s Artists of the Month are Gean Moreno and Ernesto Oroza. Here, we talk about their six-tabloid…
Oroza y Moreno: Desaprendiendo algunas viejas leyes. Orlando Hernández – 2009 Estoy en deuda con Ernesto Oroza. Es una deuda de conocimientos que probablemente él ignora. (Todavía no puedo decir lo mismo de Gean Moreno, a quien conozco muy poco, pero probablemente en el futuro me suceda lo mismo). Hubiera…
DESIGN AND ETHICS –Gean Moreno The qualifier “popular” in popular design aims, it seems, to bracket the everyday call-and-response of necessity and ingenuity in order to re-locate an entire field within definitions supported by less pedestrian paradigms. Design, the presence of the qualifier seems to insinuate, is nothing as basic…
Object as Index: Ernesto Oroza in conversation with Gean Moreno In Florian Borchmeyer and Matthias Hentschler’s lop-sided film Havana: The New Art of Making Ruins, 2006, Cuban writer António José Ponte, one of the protagonists, fires up his brain’s associative engine. Eruditely crossfading from Thomas Mann to Georg Simmel to Jean Cocteau,…
Sermon Sunday September 30, 2007 “OBJECTS OF NECESSITY!” The Reverend Dr. E. Neil Hunt The United Church of Marco Island
UN CAOS ILUSTRADO (Made in Oroza) PARA UN DISEÑO IMPOSIBLE Héctor Antón Castillo “El arte no se hace, se encuentra”. Charles Simic Ernesto Oroza (Ciudad Habana, 1968) pudo llegar a la conclusión de que su inventiva nunca superaría a la de quienes hacen arte contemporáneo sin recursos estratégicos para vivir a…
Alcancía Pública (versión para Alamar) Tanque de 55 galones enterrado tres metros en la calle. Un tubo galvanizado conectará el tanque con el área pública. Las personas pudieran arrojar monedas por la boca del tubo. La acción (o le rumor sobre esta) dará inicio al mito. Insertará narrativas especulativas y oscuras en el barrio.