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Efficiency at OF/BY/FOR – American Museum of the Cuban Diaspora

Efficiency (after Papanek) press release: Efficiency (after Papanek) is a new exhibition platform based on a schematic principle of art – life relationship. It consists of a drop down table which, upon opening, displays a framed painting, photo mural, or poster. The object was redesigned by Victor Papanek and James Hennessey…

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Residential Properties curated by Felice Grodin

Real estate speculation, virtual environments, and developments in technology and fabrication now require a reconsideration of what ‘dwelling’ is. How does the scale of a home adjust in relation to these new, “fluid” elements and forces? Residential Properties explores recent shifts in living spaces through site-specific interventions within an existing house/artist residency…

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Global Positioning Systems – Curated by Rene Morales

http://www.pamm.org/exhibitions/global-positioning-systems Global Positioning Systems is the second iteration of Pérez Art Museum Miami’s Overview Galleries, in which selections from PAMM’s permanent collection are displayed alongside loans from important private collections. Consisting of six interrelated parts (titledHistory Painting, Visual Memory, The Uses of History, Urban Imaginaries, The Contested Present, and Forms of Commemoration), this thematic group presentation…

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Tabloid 26 – Factoría Habana

Modelo de expansión (TelArte-Tabloide-Marabú) – Modelo de expansión (Romañach) –  2013 El proyecto Modelo de expansión (TelArte-Tabloide-Marabú) propone un paralelo crítico entre tres sistemas de producción y distribución: TelArte, el proyecto Tabloide y la planta de marabú. TelArte fue una iniciativa cultural que relacionó, desde 1983, a decenas de artistas…

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Navidad en el Kalahari (el continuo molecular)

Navidad en el Kalahari (el continuo molecular) Gean Moreno – Ernesto Oroza Quizás el árbol espera en su semilla, pero el hombre no espera en sus huesos. Samuel Feijóo 1. Hay una semilla alojada en las entrañas de un camello. El animal duerme en el oscuro establo de un barco…

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Notes sur la maison moirée (ou un urbanisme pour des villes qui se vident) – 2013

Notes sur la maison moirée (ou un urbanisme pour des villes qui se vident) Gean Moreno et Ernesto Oroza Préface : Victor Lévy Co-édition : Cité du design et École nationale supérieure d’architecture de Saint-Étienne Six textes composent Notes sur la maison moirée (ou un urbanisme pour des villes qui se vident). Le…

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Decoy

TABLOID #8: This tabloid was produced by Gean Moreno and Ernesto Oroza for the exhibition DECOY. Farside Gallery 2010. Miami, FL. Textile pattern by Tonel, mass produced as part of the cultural initiative TelArte, Havana 1987, altered by Gean Moreno and Ernesto Oroza, 2010. Special thanks to Tonel for allowing us…

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Driftwood. Curated by Denise Delgado

Gean Moreno and Ernesto Oroza. Miami-Dade Public Library System – Main Library, Miami. June 10, 2010. Curatorial Statement: Driftwood – Gean Moreno and Ernesto Oroza Thursday, June 10, 2010 Miami-Dade Public Library System – Main Library 101 West Flagler Street  Miami, FL 33130 Gean Moreno and Ernesto Oroza’s collaborative works…

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The Québec City Biennial – Catastrophe ? Quelle Catastrophe ? – 2010

Catastrophe ? Quelle Catastrophe ? – Manif d’art – The Québec City Biennial Curator: Sylvie Fortin www.manifdart.org While catastrophe dominates the contemporary imaginary and mainstream media, its real work remains elusive. Its hypervisibility safeguards its foundational, requisite invisibility. Which is to say that the omnipresence of the catastrophic event acts as…

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Ficciones postmodernas en Miami. By ADRIANA HERRERA

Ficciones postmodernas en Miami Domingo, 09.27.09 By ADRIANA HERRERA Especial/El Nuevo Herald Charest-Weinberg Gallery es un espacio artístico abierto al riesgo inteligente, a exploraciones tan inusuales en su método como coherentes. Prueba de ello es el montaje de dos muestras paralelas curadas por Gean Moreno y yuxtapuestas en la exhibición Spit-Polishing…

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