Object as Index: Ernesto Oroza in conversation with Gean Moreno
Object as Index: Ernesto Oroza in conversation with Gean Moreno In Florian Borchmeyer and Matthias Hentschler’s lop-sided film Havana: The New Art of Making Ruins, 2006, Cuban writer António José Ponte, one of the protagonists, fires up his brain’s associative engine. Eruditely crossfading from Thomas Mann to Georg Simmel to Jean Cocteau,…