Dec 032015
 

The_Pirate_Cover

THE PIRATE BOOK

This work offers a broad view on media piracy as well as a variety of comparative perspectives on recent issues and historical facts regarding piracy. It contains a compilation of texts on grass-roots situations whose stories describe strategies developed to share, distribute and experience cultural content outside of the confines of local economies, politics or laws. These stories recount the experiences of individuals from India, Cuba, Brazil, Mexico, Mali and China. The book is structured in four parts and begins with a collection of stories on piracy dating back to the invention of the printing press and expanding to broader issues (historical and modern anti-piracy technologies, geographically-specific issues, as well as the rules of the Warez scene, its charters, structure and visual culture…).
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WEBSITE thepiratebook.net
CONTACT US ping@thepiratecinema.com

EDITED BY Nicolas Maigret & Maria Roszkowska

CONTRIBUTORS
Jota Izquierdo, Christopher Kirkley,
Marie Lechner, Pedro Mizukami, Ernesto Oroza,
Clément Renaud, Ishita Tiwary, Ernesto Van der Sar,
Michaël Zumstein

DESIGN Maria Roszkowska
PROOFREADING Philip Jan Nagel
TRANSLATION Themba Bhebhe

PUBLISHED BY Aksioma – Institute for Contemporary Art
PRODUCED BY Aksioma and Pavillon Vendôme, Clichy

IN PARTNERSHIP WITH
Abandon Normal Devices, Kunsthal Aarhus & Neural Magazine / Supported by the Creative Europe Programme of the European Union, the Ministry of Culture of the Republic of Slovenia, the Municipality of Ljubljana and the Municipality of Clichy, France. The Pirate Book was released in the framework of Masters & Servers

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Nov 252012
 

The Nightclub invites you to Marakka 2012, the ninth of twelve events involving a network of artists, producers, and art students. Its aim is to create dialogue within a diversity of art practice through curated exhibitions showcased in a one—night venue.
macrovision

Magdiel Aspillaga and Ernesto Oroza | curators
December 7, 7-11 pm
Address: Buena Vista Building, 180 NE 39 St. Suite 204, Miami FL 33137

Since 1983, Waldo Fernandez has been assembling an archive of Cuban audiovisual memory. The collection–which functions commercially under the “Marakka 2000” brand–relies and exploits a loophole created by current Cuba-U.S. diplomatic relations, and is sustained by a precise and astute understanding of current procedures regarding the protection of copyright in the U.S.
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Nov 112012
 

macrovision

Marakka 2012 is a project by Magdiel Aspillaga and Ernesto Oroza

First presentation: December 7, 7-11 pm
Address: Buena Vista Building, 180 NE 39 St. Suite 204, Miami FL 33137

Since 1983, Waldo Fernandez “Marakka” has been assembling an archive of Cuban audiovisual memory. The collection–which functions commercially under the “Marakka 2000” brand–relies and exploits a loophole created by current Cuba-U.S. diplomatic relations, and is sustained by a precise and astute understanding of current procedures regarding the protection of copyright in the U.S.
Each generation of emigrants has put its own nostalgic claims to the archive, which has more that 14,000 objects. Waldo has processed all this material in order to add new credits, remove sensitive copyright issues, and even re-edit the dramaturgical time and pace of serials and soap operas in order to adjust them for suitable commercial formats. The pinnacle of the archive lies in the documentaries that Waldo himself has directed and edited using video clips and sounds from his collection.
“Marakka 2012” is a revision of “Marakka 2000”. From our perspective, Waldo’s archive is above all else a registry of its own constitution. A repertoire of source formats, a history of the transfers produced and the copying technologies employed. A deposit of all the available resolutions of the last 70 years. A monument to piracy, to the glory of anti-macrovisions.

http://www.marakka2000.com

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