Ernesto Oroza / Pernod Ricard Fellow 2016

Ernesto Oroza / Pernod Ricard Fellow 2016 SEPTEMBER – NOVEMBER 2016 Facebook0TwitteremailPrint

transphysics: istwa, landscapes, paisajes

Curated by William Cordova Nov. 5, 2016 – Jan. 8, 2017 Opening Reception: Friday, Nov. 4, 2016 “we should want … [our] r

2016 ORLANDO MUSEUM OF ART FLORIDA PRIZE IN CONTEMPORARY ART

Ernesto Oroza, Tabloid/Wallpaper of Architecture of Necessity essay with photos from the thematic series Architecture of Neces

Archivo Desobediencia Tecnológica

www.desobedienciatecnologica.net El término “desobediencia tecnológica” se publicó por primera vez&nb

Nuevos Territorios. Laboratorios de diseño, artesanía y arte en América Latina – Museo Amparo

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Silla corregida – corrected chair

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2016 ORLANDO MUSEUM OF ART FLORIDA PRIZE IN CONTEMPORARY ART

2016 ORLANDO MUSEUM OF ART FLORIDA PRIZE IN CONTEMPORARY ART May 13 – August 14, 2016 The Florida Prize in Contemporary Art&

MPC vistas 2016

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FUTURS NON-CONFORMES curated by Nicolas Maigret on Jeu de Paume’s virtual espace

FUTURS NON-CONFORMES An exhibition curated by Nicolas Maigret, artist, curator et teacher at the Parsons School Paris April 7t

Implied Interaction

Implied Interaction: The Role of Participant, Artist and Viewer  in selected works from the CINTAS Foundation Fellows Collect

Nomadic lattice

Collaboration with Rafael Domenech. Lattice (celosía): cut and folded drywall/sheetrock – CNC. Nomadic display in Miami

Metameme

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Brutal Beauty. Violence and Contemporary Design

Brutal Beauty Violence and Contemporary Design 7 February – 1 May 2016, Marta Herford (Lippold Gallery, 1st floor) Opening:

THE PIRATE BOOK by Nicolas Maigret & Maria Roszkowska

THE PIRATE BOOK This work offers a broad view on media piracy as well as a variety of comparative perspectives on recent issue

Architecture of Necessity @ GIDEST Lab_The New School

The GIDEST seminar is held bi-weekly on Fridays from 12-1:30pm in the GIDEST Lab at 411, 63 Fifth Avenue. All sessions are dev

Signos. Arte, industria y viceversa

Signos. Arte, industria y viceversa Concebida como una instalación que ocupa toda la galería, esta exposición reúne planos

Signos. Arte, industria y viceversa.

Signos. Arte, industria y viceversa Concebida como una instalación que ocupa toda la galería, esta exposición reúne planos

Inscribing: meditations on time and space

Inscribing: meditations on time and space Bridge Red Studios/Project Space Curated by William Cordova September 13 – Nov

Pregón

pregón/street vendor cry registered in havana, 2003 – typeface: akzidenz grotezk | design: oroza. 22″x17″,

Residential Properties curated by Felice Grodin

Real estate speculation, virtual environments, and developments in technology and fabrication now require a reconsideration of

Time And Materials

Time and Materials is a formula that helps one determine the value of one’s labor: it is the cost of the materials and equip

Habana 2015

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UJAMAA – Recife 2015

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Revolico, Retombée

Revolico, Retombée es un cuaderno digital concebido para los usuarios de Revolico. Colaboran en esta publicación un grupo de

Iconocracia. Contemporary cuban photography. Curated by Iván de la Nuez

Herbert Matthews published the first report on the Cuban Revolution, written during guerrilla warfare in the Sierra Maestra, t

Revolico Retombée

‘Revolico, Retombée’ ‘Revolico, Retombée’ es un cuaderno digital concebido para los usuarios de Revo

Si despierta un pájaro intercambian sus cabezas los jugadores. Un poema de SNET.

El siguiente poema colectivo fue elaborado por los usuarios de SNet durante la 12 Bienal de La Habana (2015) como parte de la

Ernesto Oroza & Gean Moreno — LA VILLE SOUVENIR

http://supercommunity.e-flux.com/texts/la-ville-souvenir/ Facebook0TwitteremailPrint

Desobediência Tecnológica – Caixa Cultural Recife

Desobediência Tecnológica – Ernesto Oroza Caixa Cultural Recife 27/05/2015 a 28/06/2015 Com curadoria de Fernanda Terra&nb

Soberanía (post-zona) – LOCACIÓN CRISTO SALVADOR

More info: http://www.cristosalvadorgaleria.com/2015/05/697/ Facebook0TwitteremailPrint

Sin oficio ni beneficio

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Downtown Miami: The Ground Beneath our Feet

Downtown Miami: The Ground Beneath our Feet May 8 – August 16, 2015 WAIL Lab, 2nd Floor Opening Reception & Panel Di

Deering Estate‬ Festival of the Arts “Plus One” Exhibition – 2015

UJAMAA (diagrams), 2015 text-based seating system Facebook0TwitteremailPrint

Alternative Contemporaneity: TAZ

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si despierta un pájaro intercambian sus cabezas los jugadores – un poema de Snet

Ernesto Oroza – Propuesta para ‘Sin oficio ni beneficio’ organizado por Stephanie Noach, Feb-2015. si despierta un&

Son o no son – Poster

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Non matching tiles – SNET

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Manipulación mediática en el Arte Cubano contemporáneo. Curada por Israel Castellanos

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Afterthoughts and Postscripts, 54.1: Nicholas Balaisis – Society For Cinema and Media Studies

Afterthoughts and Postscripts, 54.1: Nicholas Balaisis – Society For Cinema and Media Studies   Facebook0Twitterema

Affective Architectures

Affective Architectures at Aluna Art Foundation Dic. 6th/20014 to Feb. 28/2015 Curated by Aluna Curatorial Collective With 

SPOLIA

http://aap.cornell.edu/news-events/spolia-histories-spaces-and-processes-adaptive-reuse Facebook0TwitteremailPrint

New Territories – Laboratories for Design, Craft, and Art in Latin America

New Territories Laboratories for Design, Craft, and Art in Latin America November 4, 2014 to March 2, 2015 Museum of Arts and

MIA_ATL at SALTWORKS

MIA_ATL Curated by William Cordova SALTWORKS BARRON SHERER/GRAHAM LAMBKIN, CARLOS SANDOVAL DE LEÓN, DAVID ROHN, DONA ALTEMUS,

“Un solo palo no hace monte”: Notes on the Otherwise’s Inevitable Infecundity

“Un solo palo no hace monte”: Notes on the Otherwise’s Inevitable Infecundity Gean Moreno and Ernesto Oroza e-flux journ

Third Space: Inventing the posible

Third Space: Inventing the posible (group exhibition) Museum of Contemporary Art, North Miami. Sept. 25, 2014. Facebook0Twitte

A Remix of Abundance: Constructing Sustainability

A Remix of Abundance: Constructing Sustainability Curated by Tam Gryn and Alejandra Esayag Exhibition: October 9th, 2014 450 W

Global Positioning Systems – Curated by Rene Morales

http://www.pamm.org/exhibitions/global-positioning-systems Global Positioning Systems is the second iteration of Pérez Art M

Worker build your machinery – Non-matching patterns

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Reinvented Objects – Summer Camp – Miami Science Museum

Workshop at Miami Science Museum 4th-8th grades, July 2014 Facebook0TwitteremailPrint

EL TERCER MUNDO Y LA TERCERA GUERRA MUNDIAL

EL TERCER MUNDO Y LA TERCERA GUERRA MUNDIAL Por Magdiel Aspillaga “Hoy en día un cine perfecto- técnica y artísticamente